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The series follows Sookie Stackhouse, a barmaid living in Louisiana who can read people's minds, and how her life is turned upside down two years after the invention of a synthetic blood called Tru Blood that has allowed vampires to 'come out of the coffin' and allow their presence to be known to mankind. Now they are struggling for equal rights and assimilation, while anti-vampire organizations begin to gain power.
Even though season 5 wasn't the strongest or most enjoyable of the pack, it feels great to say that the finale easily lives up to those that came before it, delivering the expected cliffhanger that will keep fans drooling for season 6
As its seasons have worn on and its universe of beasties and beastly acts has expanded, True Blood has become less interested in revising or adapting the soap-operatic tropes that made it such campy fun to begin with.
While politics come into play later, it is human emotions such as grief, regret and loss that fans can look forward to sinking their teeth into at the start of the season.
Like an addiction to free-range hemoglobin, there's something undeniably compelling about the characters, human and otherwise, in a series whose plotting grows more twisted every year.
True Blood is at fault for not even being a good version of what it aspires to be, which is doubly bad, because what it aspires to be is so low-brow and trashy.
In its early years, HBO's "True Blood" was a smart, savvy show that employed satire and wit. Now it's basically Passions with better production values and an occasionally laugh-worthy rejoinder from vampire Pam (Kristin Bauer van Straten).
As with everything about "True Blood," the language is not particularly inventive or clever, but it's delivered with a wink, a smile and maybe a flash of fang or unclothed hip bone, and that's - really - entertainment.