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The series follows Sookie Stackhouse, a barmaid living in Louisiana who can read people's minds, and how her life is turned upside down two years after the invention of a synthetic blood called Tru Blood that has allowed vampires to 'come out of the coffin' and allow their presence to be known to mankind. Now they are struggling for equal rights and assimilation, while anti-vampire organizations begin to gain power.
Appetizingly pulpy and yet not at all crass, the series presents a new angle on the phenomenon of shows-so-bad-that-they're-good: It sucks hard and thus plays very well.
True Blood is a sexy affair that sets up an entirely believable world where humans and vampires co-exist. It's a soap, to be sure, but a soap with an eye for social commentary.
Graphically sexy and scary, and often wildly funny, True Blood turns Charlaine Harris' rollicking mystery novels into a broadly entertaining, deliciously twisted slice of modern Southern Gothic.
Unless the thought of vampire/human love makes your pulse quicken - or, even better, makes you wish you didn't have a pulse to quicken - most of it is not really worth seeing.