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Season 4 opens with Voyager finding a solution to combat the invader of Borg space. All Captain Janeway asks is free passage through their territory and Voyager will share their knowledge.
Voyager at times gets grief for not being as gritty as the premise promised, but even the most cynical of fans can't deny that "Year of Hell" delivered the goods, with the crew battling a genocidal villain (Kurtwood Smith) manipulating time itself.
By the end of the fourth season, Janeway's experiment may still be in progress, but the returns from Paramount's tinkering were readily identifiable. The Borg Babe was a smash.
Despite being a transparent attempt to 'sex up' the show, it was a tremendous introduction for the character and, more importantly, gave Voyager a much-needed kick up the arse in terms of both drama and conflict.
[Jeri] Ryan's Seven of Nine is bound to make the biggest splash since Leonard Nimoy first donned his Spock ears. In a galaxy far, far away, a star is born.