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A series of more violent and powerful cases are appearing again in the Seventh season: Many of the challenges and attitudes within the prison will be Oliver's exhibition. While Oliver tries to stay alive in the prison, a new set of unknown commissions appears, while Feliciana tries to find Diaz by any means, and Felicity seems to get an exciting show. Curtis must hide from Argos for a long time.
James Bamford, Wendey Stanzler, Laura Belsey, Gordon Verheul, Ben Hernandez Bray, Joel Novoa, Kristin Windell, Mairzee Almas, Mark Bunting, J.J. Makaro, Ken Shane, Andi Armaganian, Alexandra La Roche, Tara Miele
A slight improvement over the last hour as it focuses on the present and shows that Oliver is still trying to make good on his mission to get out from under his father's legacy and the connection to his family name.
The latest episode of Arrow had a whole lot of moving parts -- and some worked better than others. That said, Oliver's story deftly paid off a plot point that had been years in the making.
A character study on the show's two most compelling individuals, reminding us that it's at its best when it strips things back and focuses on its tormented protagonists. The result was a thoroughly engaging piece of storytelling.
Arrow has smartly realized that in order to move forward, Oliver Queen needs to grow, and that includes maturing in his relationship with Felicity rather than starting problems every other episode.
We're on episode 11 and I have no idea what this season is building to in the present or future storylines, which is an unusual place to be. At this point, I'm not sure how I feel about this no man's land, but I'm not mad at it.