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In the futuristic tale, a highly advanced robotic boy named David longs to become 'real' so that he can be loved by his mother and his father in that happy place called home.
The most philosophical film in Kubrick's canon, the most intelligent in Spielberg's, and quite possibly the film with the most contemporary relevance that either one has made since Kubrick released Dr. Strangelove in 1964.
An unsettling sci-fi fairytale mélange of "Pinocchio" and "The Wizard of Oz" that's elegantly written, visually opulent and thematically challenging and discontented. One of Steven Spielberg's finest, and most fiercely misread, films.
A confined domestic drama, a considerable morality tale, a fleeting futuristic noir, a persecution parable, an on-the-nose fairy tale adventure... and then it keeps going.