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A civilian oil rig crew is recruited to conduct a search and rescue effort when a nuclear submarine mysteriously sinks and faces danger while encountering an alien aquatic species.
The attempt to extract the essences of several genres (cold-war submarine thriller, love story, Disney fantasy, pseudomystical SF in the Spielberg mode) and mix them together ultimately leads to giddy incoherence.
June 06, 2007
TV Guide
What ultimately saves the film are its extraordinary sets and phenomenal Oscar-winning visual effects.
The Abyss gains in some ways from its own Achilles heels, in a way most movies don't... its formal technique, its reckless obsessiveness, and its gutsy emotionalism are what I can't stop turning over in my mind.
As a follow-up to Cameron's great sci-fi Aliens, The Abyss is too verbose for an actioner and the special effects, striking as they are, are not well integrated into the narrative, but it's still worth seeing.
The movie was a bear to make and it shows onscreen, parading around a series of mesmerizing set-pieces that look deliciously hard-earned in ways our current CG-drenched filmmaking climate never allows.
Anyone looking for a discouraging word about this stupendously exciting and emotionally engulfing film should read no further. The Abyss confirms James Cameron as a world-class filmmaker.
May 12, 2001
ColeSmithey.com
Great blending of spectacle and drama.
May 11, 2007
Antagony & Ecstasy
One need not be a Cameron acolyte to recognise that The Abyss has aged better than some of the films that outshone it back in the day.
Colossally ambitious, this logistically boggling and technically brilliant film from writer-director James Cameron is a visual tour de force, featuring overall, the greatest underwater sequences ever seen on film.