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In 1839, the slave ship Amistad set sail from Cuba to America. During the long trip, Cinque (Djimon Hounsou) leads the slaves in an unprecedented uprising. Much of the story involves a court-room drama about the free man who led the revolt.
Spielberg seems to be dividing his filmmaking output into two distinct halves: in the summer months cranking out no-brainer dinosaur flicks...in the winter season unveiling his serious artistic stuff to edify the adults and woo the Oscar crowd.
Fortunately, the dry, courtroom banter is interjected with powerful accounts of the violent, inhumane atrocities inflicted on the slaves by Spanish merchants.
December 06, 2005
Houston Chronicle
Halfway into Amistad comes the point where Steven Spielberg pulls the lever, and the stink and horror and bestialities of slavery spill around our ankles. We can't look away.
January 01, 2000
EmanuelLevy.Com
Aiming to instruct and entertain, and often struggling to reconcile these goals, Amistad lacks the subtlety of tone and simplicity of form that made Schindler's List one of Spielberg's very best; here, however, every idea and image are too explicit.
As Spielberg vehicles go, Amistad -- part mystery, action thriller, courtroom drama, even culture-clash comedy -- lands between the disturbing lyricism of Schindler's List and the storybook artificiality of The Color Purple.
January 01, 2000
Looking Closer
This is the most straightforward, understated, and powerful big-screen representation of the gospel in recent movie history. And for that, Amistad should be recommended to everyone.
Amistad is worth seeing just for people to know about this important story, this moment in history. But from the world's most powerful, successful and famous director, we expect more.