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Set in 2010, the third installment of Fargo centers on 'Emmit' and his slightly younger brother 'Ray Stussy' (Ewan McGregor). Emmit, the Parking Lot King of Minnesota, sees himself as an American success story, whereas Ray is more of a cautionary tale. Forever living in his more successful brother's shadow, Ray is a balding ad pot-bellied parole officer with a huge chip on his shoulder about the hand he's been dealt -- and he blames his brother. Their sibling rivalry follows a twisted path that begins with petty theft but soon leads to murder, mobsters and cut-throat competitive bridge. Carrie Coon stars as 'Gloria Burgle,' the steady chief of the local police department. A newly divorced mother, Gloria is trying to understand the new world around her, where people connect more intimately with their phones than with the people around them. Mary Elizabeth Winstead stars as Ray's girlfriend, 'Nikki Swango,' a crafty and alluring recent parolee with a passion for competitive bridge. David Thewlis stars as 'V.M. Vargas,' a mysterious loner and true capitalist whose bosses plan to partner with Emmit, whether 'The Parking Lot King' likes it or not.
Watching Hawley slowly shred that veneer to reveal the ugliness below just might be the most rewarding part of visiting this fictional slice of North Dakota for a third time.
The acting here is as good as the writing, and the visuals - built, as with season one, around the isolated snow and ice of the Midwest - are like paintings that move.
With Carrie Coon leading this procession by scrupulously avoiding any cutesy line-reading or reaction, I'm thoroughly committed to the new season of Fargo, no matter where it roams.
Though there are signs the series has slipped into narrative replication, Hawley's compositional inventiveness and willingness to embrace inscrutability at times makes the third installment of Fargo a captivating and stylish addition.