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After making financial sacrifices to become producers of Medellin, Eric and Vince approach the only director who can make the film on a shoestring budget: auteur Billy Walsh. The entire experience encourages Eric to stop riding Vince';;s coattails, so he branches out and takes on Anna Faris as a new client, even though her jealous boyfriend is none too happy with the arrangement.
One thing that's bugged me all along about Entourage: the difficulty of telling whether Vince is actually supposed to be a good actor or not... It looks like this season of Entourage is going to try to turn that bug into a feature.
Entourage remains a fine show, but I do find myself growing a little tired of the characters and repetitious stories. It seems like maybe the characters don't have the depth to sustain the series for years to come.