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Through the comedy of that series that follows the every day action of Hattie, a youthful keen and eager queer African American girl, who explores through life with her closest companions, facing the true face of adoration, life, and fellowship, while dealing with accomplishing their fantasies.
Gibbs' easygoing chemistry with each of her co-stars - including recurring player Kim Whitley, who plays Hattie's lonely mom - mean that the central trio make for believable besties from their very first scene together.
The show's a bit thin on the comedy end of things, often going for more of a hangout vibe than trying to sling jokes. Fortunately, there's strong enough chemistry among the three leads to make that approach work.
For the moment, Waithe's Twenties is fine, it gets by, but here's hoping it exceeds that to become the Black excellence Waithe believes she can deliver-and that her viewers deserve.
Gibbs and Brown possess an unmistakable chemistry that makes Twenties eminently watchable, if only because it appears to be on track to answer a question that thus far, no other show has: What happens when the #MeToo bogeyman is a black woman?