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Season 3 opens with Antoine Batiste flirting with martyrdom. Janette Desautel encounters her old nemesis, Enrico Brulard, and a new suitor. Delmond and Albert Lambreaux debut their Indian-jazz album; Toni Bernette meets L.P. Everett, a new ally in her investigation of post-Katrina killings...
In its third season, Treme has become so adept at blending character-based drama with its overarching themes that it forces those who've tried to fit the series into some other, perhaps Wire-shaped, box to accept it on its own terms.
It's the too-bad-not-to-be-true stories Simon's telling about what the people of New Orleans were dealing with long after the waters receded that's kept my blood on simmer for the eight episodes I've seen so far.
Treme's season finale provide us with some very real forms of resolution, if not complete closure, while also energizing us for the final season of the show, which will be coming next year.