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In the third season, Rose and Dad moved to these new fossils, and Midge struggles to match her work perfectly and Shy sets off. Joel and Mei deal with a new spark of communication. Joel, on the other hand, seems to be visiting Midge in Vegas, and Rose and Dad seem to be adapting to their new lives on those paths. Meanwhile, Suzy deals differently with her new client.
Sherman-Palladino's approach says, "Here! Look at all that's wondrous in this show! Get caught up in all that's good [and maybe ignore what doesn't work]." More often than not, I'm able to do just that.
Obviously, Mrs. Maisel is no shrinking violet, and the best parts of the third season (five of eight episodes were available for review) show her adapting and blossoming in her new life as a showbiz nomad.
The series remains full of magnetic charisma and talent... But a few too many moments left me saying, in the words of Midge and Susie, "That shoulda been something."
Nostalgic wish fulfillment carries the show further than it has any right to - but it's not enough to make eight episodes cohere into a season, or for three seasons to cohere into a story.
It's really Kirby's Bruce who steals the show, slinking and smirking his way through his scenes, as his chemistry with Midge starts to reach Fleabag/Priest levels.