Do you have a video playback issues?
Please disable AdBlocker in your browser for our website.
Due to a high volume of active users and service overload, we had to decrease the quality of video streaming. Premium users remains with the highest video quality available. Sorry for the inconvinience it may cause. Donate to keep project running.
In the second season, Logan tries to bring Schiff into Waystar, raising suspicions during that period, especially with Kendall and Jerry. On the other hand, Connor and Willa are trying to attend the funeral of the family friend, but there is a complex and strange past that suddenly appears, and Logan and Kendall have a new experience in a secret meeting with the CEO of PGM Rhea Jarrell, but the controversy over the star anchor leads to a strong chaos in ATN.
Armstrong's series blends genres smoothly, stretching out the propulsive slew of insults found in Armando Ianucci's political satire while trimming the fat from David Benioff and D.B. Weiss' bloated fantasy universe.
The second season feels like a contemporary Shakespearean play with hints of Hamlet, King Lear, and even Macbeth which this show is really striving for.
The jockeying for favor can be devastating in its degradation, but also horribly amusing, with pungent writing and cunning performances that elevate familial blood sport to a profane art form.
With Logan Roy fully operative, Season 2 of HBO's anti-wealth drama picks up right where it left off and dives even deeper into the dark pit of its central family.
The series may be a gripping family drama, but much of its power comes from a tendency to view that familial dysfunction from an angle that magnifies the show's darkly comedic sensibilities.