Do you have a video playback issues?
Please disable AdBlocker in your browser for our website.
Due to a high volume of active users and service overload, we had to decrease the quality of video streaming. Premium users remains with the highest video quality available. Sorry for the inconvinience it may cause. Donate to keep project running.
New exciting stories of Better Call Saul come up in the fourth season following Jimmy McGill, the expert criminal legal counselor. In this season we see McGill lives dismal time in the wake of Chuck's deplorable passing however Kim battles to help him. In the interim, Mike begins to consider his part in Madrigal.
Saul is not The Sopranos...but it's also unsentimental at times about telegraphing the fates of characters that never quite make it onscreen in Breaking Bad...We'll find out soon enough who weathers the storm.
Chock-full of witty schemes, layered performances, tense showdowns, and alternating gut-busting and heart-wrenching scenes, "Coushatta" is a distillation of this show's key components and feels like a real series turning point.
Leave it to this week's installment, "Coushatta," to reverse field on what Kim wants - and, in the process, reopen all sorts of frightening possibilities for what could happen to her.
The true joy in "Coushatta" comes from the Jimmy and Kim plotline. It unfolds with invigorating confidence, taking us on a journey with as satisfying a conclusion as this show's ever had.
"Coushatta" is an in-depth case study of something Better Call Saul - and Breaking Bad before it - have always known and constantly represented to us: what it means to be willing to put in the work.
Better Call Saul has given fans a fun and random array of characters, items and settings from its predecessor Breaking Bad, and "Coushatta" delivered one of the most interesting connections yet.
A remarkable thing in the era of "Big Moment TV," and in an episode that doesn't have a cliffhanger, where no one gets married, no one has a baby, no one overthrows a government, and no one dies...
It's the underlying unease that has always driven this show forward and made it so very relatable to its audience, despite being so specific with its world-building.