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The four nations of Air, Water, Earth and Fire lived in harmony until the Fire Nation declared war. Now, it's up to Aang, a young successor to a long line of Avatars, to master all four elements and stop the Fire Nation from enslaving the Water Tribes and the Earth Kingdom.
[T]he film works so hard to explain its plot developments that it scarcely has any time left over to dramatize them. Exposition has not merely vanquished mimesis, it has burned its homes to the ground and sown salt in its fields.
There isn't a single convincing performance in the picture, and the badness of the acting is, bizarrely, pretty much in direct proportion to a character's importance.
M. Night Shyamalan's big-screen live-action version of the popular Nickelodeon animated TV series constitutes a form of Chinese water torture in which tin-ear line-readings take the place of drips.