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In The Equalizer, Denzel Washington plays McCall, a man who believes he has put his mysterious past behind him and dedicated himself to beginning a new, quiet life. But when McCall meets Teri (Chloë Grace Moretz), a young girl under the control of ultra-violent Russian gangsters, he can';t stand idly by - he has to help her. Armed with hidden skills that allow him to serve vengeance against anyone who would brutalize the helpless, McCall comes out of his self-imposed retirement and finds his desire for justice reawakened. If someone has a problem, if the odds are stacked against them, if they have nowhere else to turn, McCall will help. He is The Equalizer.
Noting the giant plot holes and laughing at the picture's overinflated self-importance become the closest thing it offers to entertainment. God, what a rotten movie this is.
The Equalizer is the most recent movie after Salt and John Wick to suggest that only one American vigilante is the equal of a whole group of tattooed and ruthless Russians.
I could have done without the barbed-wire noose and glass-shard fight on shattered mirrors. But I couldn't have done without Washington, who, like Liam Neeson, has reached a new cruising altitude as a leading man.
The movie's all about reading, especially with a critical eye, but when you take too close a look at its disparate parts, they neither add up nor have anything constructive to teach.