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After the death of his employer and mentor, Bumpy Johnson, Frank Lucas becomes one importer of heroin in the Harlem district of Manhattan. It is also the story of a dedicated and honest policeman, Richie Roberts, who heads up a joint narcotics task force.
Like much of his oeuvre, Scott's scaled-up movie is bigger than life - and lesser for it. But while never digging deeply or darkly enough to match its own grand vision of itself, slick technique drives the story forward with pace and style.
Though it's certainly admirable to aim high, it's like Frank Lucas himself says: "Either you're somebody, or you ain't nobody." Unfortunately for American Gangster, it ends up somewhere between the two.
For all its grit, style and atmosphere, Gangster never sweeps you away. It has neither the lurid bravado of De Palma's "Scarface" nor the intimate grasp of the criminal lifestyle you find in Scorsese or Coppola.
When American Gangster was announced, with actors Denzel Washington and Russell Crowe and directed by Ridley Scott, it seemed like a can't miss project. It missed.
It's 157 minutes long, but immerses its audience with its twists and intricacies as it plays out and considers the logistics and consequences of crime and police corruption, with a plethora of show-stealing performances from the cast.