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Everything is connected: an 1849 diary of an ocean voyage across the Pacific; letters from a composer to his lover; a thriller about a conspiracy at a nuclear power plant; a farce about a publisher in a nursing home; a rebellious clone in futuristic Korea; and the tale of a tribe living in post-apocalyptic Seoul, far in the future.
We normally can't see dead people, but that doesn't mean they're not like threads disappearing below a tapestry's surface and resurfacing elsewhere. A clarification of sorts.
A film which piles on the action, the romance, the philosophical inquiry and the silly accents until the viewer is left punch-drunk and reeling. Seriously, what's not to love?
Despite its shortcomings, it's worth seeing and worth trying to get your head around days after you have. Revolutionary or gimmicky? Good news: Not quite either.