Karen Black was born Karen Blanche Ziegler in Park Ridge, Illinois, to Elsie Mary (Reif), who wrote children's books, and Norman Arthur Ziegler, an engineer and businessman. She was of Norwegian (from her paternal grandmother), German, and Bohemian (Czech) descent. Karen entered Northwestern University at 15 and left two years later. She studi...
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Karen Black was born Karen Blanche Ziegler in Park Ridge, Illinois, to Elsie Mary (Reif), who wrote children's books, and Norman Arthur Ziegler, an engineer and businessman. She was of Norwegian (from her paternal grandmother), German, and Bohemian (Czech) descent. Karen entered Northwestern University at 15 and left two years later. She studied under Lee Strasberg in New York and worked in a number of off-Broadway roles. She made a critically acclaimed debut on Broadway in 1965 in "The Playroom". Her first big film role was in You're a Big Boy Now (1966), directed by Francis Ford Coppola. Shortly after wards, she appeared as Marcia in the TV series The Second Hundred Years (1967).The film that made her a star was Easy Rider (1969), where she worked with Dennis Hopper, Peter Fonda, and a supporting actor named Jack Nicholson. She appeared with Nicholson again the next year when they starred in Five Easy Pieces (1970), which garnered an Academy Award nomination and a Golden Globe for Karen. Her roles mainly consisted of waitresses, hookers and women on the edge. Some of her later films were disappointments at the box office, but she did receive another Golden Globe for The Great Gatsby (1974). One role for which she is well remembered is that of the jewel thief in Alfred Hitchcock's last film, Family Plot (1976). Another is as the woman terrorized in her apartment by a murderous Zuni doll come to life in the well received TV movie Trilogy of Terror (1975). After a number of forgettable movies, she again won rave reviews for her role in Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982). Since then, her film career has been busy, but the quality of the films has been uneven. Show less «
[re Bob Rafelson, director of Five Easy Pieces (1970) and her character in it] Rafelson thought I mi...Show more »
[re Bob Rafelson, director of Five Easy Pieces (1970) and her character in it] Rafelson thought I might be too complex for Rayette, but I told him I'm essentially simple, that really everybody is essentially simple, that we are all just beings who, uh, be. Certainly Rayette can just be. dig her, she's not dumb, she's just not into thinking. I didn't have to know anybody like her to play her. I mean, I'm like her, in ways. Rayette enjoys things as she sees them, she doesn't have to add significances. She can just love the dog, love the cat. See? There are many things she does not know, but that's cool; she doesn't intrude on anybody else's trip. And she's going to survive. Do you understand me? Show less «
Every time you do a part you try to find out what it would really be like to be that person, no matt...Show more »
Every time you do a part you try to find out what it would really be like to be that person, no matter who she is. Show less «
[on Alfred Hitchcock] We'd do limericks together. One day he pulled up his shirt to show me his bell...Show more »
[on Alfred Hitchcock] We'd do limericks together. One day he pulled up his shirt to show me his belly-button - which he didn't have. He'd had an operation and when they sewed him up they took it away. His belly-button was gone! Show less «
My God, there aren't any more movie stars, which is terrific with me, it's very healthy. A lot of lo...Show more »
My God, there aren't any more movie stars, which is terrific with me, it's very healthy. A lot of love now occurs in the business, people helping each other to do good work, getting high on each other's success. Isn't that great? Show less «
[on the craft of acting] That's really what acting is: you imagine things, then you respond naturall...Show more »
[on the craft of acting] That's really what acting is: you imagine things, then you respond naturally to what you've imagined. Show less «