David Hattersley Warner was born July 29, 1941 in Manchester, England, to Ada Doreen (Hattersley) and Herbert Simon Warner. He has described his childhood as "messy". His father changed jobs often and moved from town to town. David attended eight schools and "failed his exams at all of them". His parents separated when he was a ...
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David Hattersley Warner was born July 29, 1941 in Manchester, England, to Ada Doreen (Hattersley) and Herbert Simon Warner. He has described his childhood as "messy". His father changed jobs often and moved from town to town. David attended eight schools and "failed his exams at all of them". His parents separated when he was a teenager and he only saw his mother again seven years later - on her deathbed. After a series of odd jobs, he was accepted at the Royal Academy of Dramatic Arts (RADA) where he was very unhappy. After RADA, he became a member of the Royal Shakespeare Company and got the role of Blifil in the adventure comedy Tom Jones (1963). With the title role in the comedy-drama Morgan: A Suitable Case for Treatment (1966) and a two-year stint as Hamlet with the RSC, Warner became a star at age 24. He has often played villains in such films as The Thirty-Nine Steps (1978), Time After Time (1979), Time Bandits (1981), TRON (1982) and Titanic (1997). He also appeared in Star Trek V: The Final Frontier (1989) and Star Trek VI: The Undiscovered Country (1991), two sequels to the popular Star Trek films. Show less «
[on Time Bandits (1981)] Time Bandits is one of Terry Gilliam's brilliant visual feasts, of bringing...Show more »
[on Time Bandits (1981)] Time Bandits is one of Terry Gilliam's brilliant visual feasts, of bringing to the screen what you could only dream about. When they talk about "vision" and all that, he's the only person I know of who could put his crazy dreams onto the screen. He's truly a conjurer. Just an extraordinary mind. Show less «
[on The Omen (1976)] What was so good about that picture was that there was no blood in it, really. ...Show more »
[on The Omen (1976)] What was so good about that picture was that there was no blood in it, really. It's not a gorefest. Strange things happen, but it's got the mood and the music and everything. So of its type, of its kind, I think it's quite a superior film. But either way, you don't say no if you're asked to work with Gregory Peck. And he was wonderful, by the way. Show less «
[on The Omen (1976)] I never saw it as a horror movie.
[on The Omen (1976)] I never saw it as a horror movie.
It's all out of one's hands. One goes and does one's best. That's what Albert Finney says -- one mai...Show more »
It's all out of one's hands. One goes and does one's best. That's what Albert Finney says -- one main hit, that's all you can hope for. Show less «