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The insanity increases at the second season after a client kills his lawyer because he can't afford the charge. Because of this murder every lawyer begins to look at his own clients suspiciously. Our lawyers, Diane fights against a new partner at the firm, Maia becomes tougher after her parents' scandal and Lucca is brought back into Colin's firm.
That's the brilliant thing about The Good Fight's season premiere: while it's obviously using death to show how unsettling and irrational the world has become in the past year, it also conveys this with smaller developments.
Perhaps because she was an infrequent presence on the parent series, Sarah Steele's Marissa is The Good Wife alum whose untapped potential has been best developed on the spin-off.
For a show that takes its cues from current affairs, these are certainly rich pickings, and at times, it feels as if the writers are barely bothering to pretend to fictionalise any more.
The Good Fight gives us something to rely on: that fairy tale world of "real adulthood," where people are smart enough to wiggle out of their problems. The Good Fight's sensational cast continues to sell us on this dream.