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The extended Hughes family reunites for Joe's fifth birthday party. Tensions soon rise when Joe is diagnosed with autism. The series follows how the dysfunctional family cope with Joe's situation and their own apparent social disorders.
At its core, there is a fascinating and unique story of one child's difficult-to-understand world, and his parents who are being dragged into compassion, kicking and screaming all the way.
What drives the show forward, and makes it a landmark portrayal of a disorder too often stigmatized or left undiscussed, is that second, all-important A Word: acceptance.
The soundtrack is a good'un and the scenes of Cumbria are beautiful. If only the script had fewer clunky sex scenes and more told from Joe's perspective.
As the Hughes figure themselves out, making a lot of wrong decisions along the way, it also challenges viewers to consider our own lives and choices, and how we might react to these same situations.
The A Word gathers its own quiet power as a succession of portraits of people under stress without becoming unbearably morose, thanks to regular bits of dotty British eccentricity and a few comic misunderstandings.
In its fearless specificity, The A Word is universal, even as it shines light on the special challenges autism imposes on that child and everyone around him.
If The A Word sounds dark and depressing, it isn't. Joe's autism is the central plot point, but this is also a messy soap opera about a family that's always butting heads.