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Sarah, who discovers she';;s a clone that';;s being monitored as part of some mysterious scientific experiment. In second season, Sarah runs to a nearby diner, where she is quickly confronted by two armed men, one of whom is Mark Rollins, who attempt to bring her in. They kill the diner';;s owner, but Sarah manages to escape.
I'll always value how Orphan Black's ability to shift and combine genres - sometimes in the same scene - kept me hooked through the first season while supercharging the second.
Maslany is so good here that one wishes she wasn't so often forced to deal with exposition in her dialogue instead of the truly remarkable characters she's crafted from each clone but it's impossible to deny the pure entertainment factor of Orphan Black.
There is not a better performance-magic trick?-on television right now than watching Maslany break herself into a multitude that's learning it might be one.
Sorry to say, the sometimes arbitrary storytelling, the lackadaisical direction, the reliance on coincidence and miraculous plot turns all undermine the drama. Maslany deserves better.