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The women of Litchfield unapologetically return for the third coming. Series 3 begins with Caputo';;;s new regime in place which appears to be kinder and gentler than the women are used to and some of the staff begin to become disillusioned. Later, a bed bug infestation causes tempers to flare, Norma gains new followers, Daya goes into labour and much more. With a crisis of faith and their beliefs and loyalties being tested, each character must decide what and who to believe in.
Three seasons in, just about everyone on the show is loveable. This makes for a thoroughly enjoyable, but not particularly varied or gripping viewing experience: the show tugs the same heartstrings, works the same funny bones.
Orange remains as sharp and funny and poignant as ever. And with each year, it becomes as self-aware and self-deprecating as the blonde woman who introduced us to the place.
In the extended picture, it looks like season three might be playing a bit more with the larger concept of freedom - through the lens, naturally, of those who don't have it.
Even in episodes which feature the backstories of the show's male characters, Orange is a show about women -- a show that is so powerful because it shouts against the idea that a single "strong female character" equals diversity.
Orange Is the New Black makes good on its promise for binge-worthy television, by doling out the rewards for marathon viewing in evenly spaced plot developments and mild tension.