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Children's author Olivia Lake is a celebrity in the resort town where she lives; after crossing paths with two newcomers, she disappears on New Year's Day, leaving behind a blood-soaked studio.
It has a story to tell, it doesn't have a singular hero through which to tell it, and there's no neat ending to wrap it all up. We should all be so lucky to get more shows like this.
Soderbergh... stages the action with an efficiency that is itself frequently beautiful to behold -- he makes a murky murder mystery ring with dramatic clarity.
Soderbergh's talent is devising epics in miniature, perfect little Cornell boxes that tilt inward on themselves with beauty and daring. Mosaic is the director's attempt to break free of that - and it's convincing evidence of why he shouldn't.
Soderbergh suggests a mammoth world that exists beyond his structured narrative, as every textured shot and stray bit of humor hints at the wild humanity existing under the controlled institutions and mannerisms that we collectively call society.