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As you get older you realize that, at its best, it's actually a pretty daring (and, at times, heartbreaking) show, finding humor and humanity in a setting that much of its audience was probably afraid of or depressed by.
Quite entertaining and certainly different. Save for Barefoot in the Park, which quickly blew high, wide and then some, this' is our first situation comedy look inside a complete black family.
The one constant factor is marvelous Esther Rolle as Florida. One wonders why it took Lear so long to give her her own show. And John Amos... can match Miss Rolle for warmth, comic timing and, in this episode, slow-boil, fiery-eyed anger.
The series is cast in all too familiar mold, in spite of advance boasting that it would be biting, satirical comedy, and one-liner gags, however funny, do not such comedy make.
There are funny lines, but most are the kind of stock gags you might expect from a series that relies on black stereotypes. If you don't find that offensive, you might find it annoying because such lines are all too predictable.
It has two great assets in Esther Rolle and John Amos as the sensible, likable parents and such an abundance of good cheer in adversity that they have to be winners in your heart, even though they are losers everywhere else.
As on other Lear sitcoms of the early '70s with a decidedly liberal slant, current events and social issues were discussed by the characters on an almost weekly basis and were largely the source of Good Times' humor.
It does not appear to be sophisticated or provocative or challenging. But what the boys have done at Tandem is celebrate life. Everybody loves everybody so much it is a joy to behold.