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In 2016, NYPD Detective Raimy Sullivan discovers that she is able to speak to her deceased father Frank Sullivan in 1996 via his old ham radio. Now the two detectives must find a way to rewrite the past without destroying everyone they care about.
Hey, we're not watching television for the realistic aspects, not even when we watch reality TV. So, once we're on board with the ham-radio-bridging-two-decades premise, there's a lot to like about Frequency.
The most urgent problem is that Frequency is based on source material that was already derivative, a grab bag of tropes borrowed from movies including Back to the Future, Sliding Doors and Ghost.
I'm a sucker for these stories, and this one hit all the right notes. Peyton List and Riley Smith do a wonderful job as father and daughter over the airwaves.