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The third season begins when Pamela wonders what prevents John Ross from taking a real step towards marriage. Meanwhile, Bobby and Sue Ellen are trying to use the governor to prevent John Ross from moving in the same direction that his father facilitates, and Christopher discovers new details that completely turn things around because of Heather's past. On the other hand, Cliff persuades Elena to seek justice that ends those unrest.
The real pleasures of the new Dallas involve engaging with repetition in all its forms and taking melodrama seriously, for this is a series that pushes at the boundaries of its genre.
This Dallas isn't half as good as the landmark soap whose legacy is tarnished by the cardboard pawns of the next generation, carrying out their sexual mergers and secret agendas with a uniform lack of conviction or dynamism.
The young bloods played by Henderson, Metcalfe and Jordana Brewster (Elena Ramos) kept it interesting. But, ultimately the bother of keeping up with what was happening at such breakneck speed was more trouble than it was worth.
If things feel a little contrived, or a lot contrived, that's hardly a first for the show. They're also tangled and messy and dastardly with a real shot at becoming sordid. That's a good start.