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After a billionaire is murdered, his secret son must establish legitimacy to avoid losing a financial empire. But first he must overcome the onslaught of drug traffickers, assassins, militia fighters and double-dealing corporate-political traders.
It's a film that flies through its frantic pace with the greatest of ease, delivering a couple of real surprises along with set pieces that pay sincere homage to Ian Fleming's James Bond books
There are plenty of twists and just as many bad guys speaking in a wide variety of accents. It's handsome, large-scale escapist fare - and has as its costar the formidable, versatile Kristin Scott Thomas.
There's little room for the viewer to get his or her footing, particularly when the assumed point of identification is the relative nonentity of a hero.
There's so much plot and so many locations in this international finance-steeped thriller that it's one very exhausting but ultimately satisfying rollercoaster.
Fortunately for the company, Largo turns out to be a formidable knife fighter in the corporate sense; fortunately for this sleek, empty thriller, he turns out to be a formidable knife fighter in the street sense too.