The Ghoul 2016 Watch Free in HD

Tom Meeten

30 April 1974, Northampton, England, UK

Alice Lowe

3 April 1977, Coventry, West Midlands, England, UK

Rufus Jones

1975, London, England, UK

Niamh Cusack

20 October 1959, Dublin, Ireland

Geoffrey McGivern

1952

Paul Kaye

1965, Clapham, London, England, UK

1973, London, England, UK

Rachel Stubbings

Gareth Tunley

Reeling Reviews

Writer/director Gareth Tunley's moebius strip of a movie is a puzzle piece like "Memento" crossed with the satanic tone of executive producer Ben Wheatley's "Kill List" and Simon Rumley's "The Living and the Dead's" unsettling portrait of mental illness.

September 05, 2017

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The Arts Desk

The Ghoul is an occult British thriller about depression, with a bleakly poetic view of London, and a seedy sadness at its core.

August 03, 2017

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SciFiNow

The Ghoul proves to be a dark, atmospheric and surprisingly moving portrayal of a crumbling psyche.

August 04, 2017

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Variety

British writer-helmer Gareth Tunley makes an auspicious debut with this blend of Lynchian psychodrama with low-budget cop mystery.

November 01, 2016

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Daily Express (UK)

It may not withstand close scrutiny but The Ghoul provides a workout for the little grey cells and suggests Tunley is a filmmaker to watch.

August 03, 2017

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Observer (UK)

First time writer/director Gareth Tunley marshals the meagre resources of this micro-budget psychological thriller and creates a pleasingly perplexing enigma of a movie.

August 06, 2017

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Radio Times

Sinuously photographed by Benjamin Pritchard, this will have your head spinning for days.

August 03, 2017

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The Stranger (Seattle, WA)

The British import The Ghoul is a clever, deceptively chilly example of narrative unreliability, presenting an increasingly askew perspective in a way that's somehow both off-putting and absorbing. It lingers.

August 18, 2017

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Sunday Times (UK)

Chris's depression is well drawn out, but when the film broadens into vague questions about the occult, it becomes unfocused, before finishing up with a hammy scene that undoes much of the careful characterisation that came before.

August 07, 2017

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Times (UK)

The title suggests an orgy of the undead loaded with jump scares, but this is a more restrained and more disturbing proposition. The monster here is metaphorical: part depression, part manic obsession.

August 03, 2017

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Little White Lies

Like the oft-referenced Möbius strip, lots of empty surface, precious little feeling.

August 04, 2017

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Hollywood Reporter

Tunley confirms his mastery of macabre moods here. Now he needs a bigger budget and a broader canvas.

August 11, 2017

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