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Jackie works as a CCTV operator. Each day she watches over a small part of the world, protecting the people living their lives under her gaze. One day a man appears on her monitor, a man she thought she would never see again, a man she never wanted to see again. Now she has no choice, she is compelled to confront him.
Though it's paced as a thriller, the film ultimately emerges as a haunting exploration of how grief can weigh on us, and the depths to which it can drive us.
Ancorado pelas performances complexas de Dickie e Curran, o filme traz a diretora estreante Andrea Arnold como uma revelação a ser observada com atenção nos próximos anos.
January 08, 2008
Cinemania
Despite some elemental flaws in logic and plausibility, this is a tense and potent film at times that hints at the sort of greatness that we can find to a greater degree in Ms. Arnold's other works, Wasp and Fish Tank.
Like the Peeping Tom-paranoia of similar recent films Disturbia and Civic Duty, this finely crafted debut feature by Scottish writer/director Andrea Arnold packs a wallop.
With assured performers, handheld cameras and natural lighting -- the ABCs of the Dogme method -- [Andrea] Arnold has given this ambitious undertaking a provocative start.
A brilliantly conceived thriller that keeps us guessing right up to the very end, Red Road intrigues but frustrates by its slow development and often incomprehensible Scottish dialogue