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Following Tyler Burnside who is a volunteer in the nearby church in his town. He carries on with a decent existence with his family. His dad, Don, adores him to such an extent. Things flip around when Tyler finds some photographs with his dad that demonstrate that he is the culprit of ten fierce killings. Tyler can hardly imagine how the just a single he confides in is a sequential executioner.
As good as Plummer and McDermott are here, [writer Christopher D. Ford] ultimately writes himself into a corner that requires actions in the final act that don't ring true.
Offers an intriguing perspective on the darker side of American values, but lacks the conviction to entirely expose the cultural contradictions that often enable compulsive murderers.
McDermott is admirably unsettling, and Luke McCoubrey's artfully sterile cinematography adds an air of suffocating wholesomeness that can make you squirm.
Skiles's film doesn't care so much if you think you know how it ends, even if you're right. It's all about twisting the knife in the process of confirming those fears.