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The movie is divided into three acts set in the lead-up to key product launches hosted by Apple co-founder Steve Jobs, ending in 1998 with the unveiling of the iMac. Steve Jobs takes us behind the scenes of the digital revolution, to paint a portrait of the man at its epicenter.
Thanks to Fassbender's revelatory performance, Jobs comes across as a captivating monster, a dictator in a black turtleneck who is impossible to ignore.
The Jobs here will always be "Aaron Sorkin's Jobs"... who people say was nerdier and more youthfully exuberant than the fully in-control maestro depicted in the film. But Fassbender does a great job with what he's given.
A redemptive fable at once artful, elegant, and clean. But by stripping out any and all complications, the movie denies itself the opportunity for nuance and puts a ceiling on its own ambition.
The dialogue crackles with wit, anger, and passion. By matching Sorkin's words with Boyle's style and Fassbender's talent, Steve Jobs has hit the trifecta.
A sleek, energetic, depth filled and riveting character drama that rather brilliantly delves into the disturbing faults and stubborn genius that was part and parcel of Jobs' character.
The ending dramatics offer Jobs a little redemption from the otherwise unflattering portrait so we leave the theater with a balanced vision of this larger than life character.