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Strange lights descend on the city of Los Angeles, drawing people outside like moths to a flame where an extraterrestrial force threatens to swallow the entire human population off the face of the Earth.
How this managed not to go direct-to-DVD (and actually get a wide distribution rather than just a handful-of-theaters dump) is one of 2010's great cinematic mysteries.
The filmmakers thought that all it would take to make a movie is some special effects, but this film only goes to show what most people already know: a film shouldn't be designed around something meant to be an afterthought.
The only fascinating thing about Skyline is that that such a mad muddle of a movie can even exists in an era of corporate homogeneity and purported quality-controlled.
A big screen B-movie with a convoluted plot and limited scope - inundating viewers with melodrama instead of the alien invasion apocalypse occurring outside.
Directors Colin and Greg Strause eschew things like a credible script and decent acting to focus on CGI enactments of hapless apartment dwellers being rammed into slimy alien orifices.