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Career-driven single woman Kate Mosley is trying to get ahead in her advertising job and discovers that her boss is more inclined to promote married people. So, in order to impress her boss, she pretends to be engaged to a man she has just met.
Aniston doesn't need dialogue to catch Kate's quicksilver moods. It's the sitcom lines, at the service of a contrived plot, that choke her.
May 11, 2001
Laramie Movie Scope
The main thing that makes it watchable are the performances of Jennifer Aniston, Jay Mohr and Kevin Bacon. The three make an interesting romantic triangle, despite numerous plot problems, such as the story is basically unbelievable.
[Aniston] at her best can recall young Barbra Streisand in her What's Up, Doc? days.
May 20, 2003
Film Blather
The characters are one-dimensional and surprisingly shallow, the film is unpleasantly predictable, and the realism factor here is You've gotta be kidding.
Insubstantial and oversweet, it still refreshes as a midsummer brain cooler.
January 01, 2000
Juicy Cerebellum
Not quite bad enough to call rancid, and that's the best I can say for it.
March 04, 2003
Shadows on the Wall
enjoyable fluff
July 11, 2004
Time Out
[Aniston] has the rare gift of getting you to root for her in the most trying of circumstances, a quality that will stand her in good stead when she progresses to better material.