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Thirty years old Justine is a good girl, but she is dissatisfied by her routine and disgusted by her lazy, pot-smoking husband. Then she strikes up an affair with a stock boy who considers himself the incarnation of Holden Caulfield.
I wish I could say I liked it more, but despite a smattering of priceless moments, The Good Girl gets bogged down in the very narrowness that afflicts Justine.
After languishing in second-banana roles in such films as Picture Perfect and Rock Star, Ms. Aniston here creates a fully realized character of surprising nuance and depth.
In Miguel Arteta's quirky indie feature, Jennifer Aniston searches for meaning and passion in a swirl of suburban malaise and ironically may have finally found a character who can reveal the shades of her talent.