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The film is the story of two successful and famous women in the international market, Christine and Isabelle. They are close friends until the two people involved in an international transaction. Christine meets the man of her dreams, but unexpectedly, she sees her beloved is sleeping with her best friend, Isabelle.
One's ultimate reaction is likely to one of indifference, bemusement or outright disdain considering the pedigree of the filmmaker helming the project: Brian De Palma.
Despite De Palma's lavish proof of what he can accomplish with classical technique, the movie comes off as too much for too little, a collection of mechanisms that decorate mechanisms.
This trashy agenda could have a certain appeal if it were executed with wry humour or nightmarish obsessiveness -- as in, say, De Palma's Dressed To Kill -- but this time around the whole thing feels so vapid, so dated.