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The movie follows arrogant, self-centered movie director Guido Contini who is struggling to find harmony in his professional and personal lives, while balancing the numerous women in his life including his wife, his mistress, his film star muse, his confidant and costume designer, an American fashion journalist, the whore from his youth and his mother.
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Detroit News
The film suffers from the simple fact that its songs aren't memorable.
December 28, 2009
Movie Talk
Day-Lewis, over-egging the angst as well as the Eye-talian accent, is charmless and insufferable. But the person you really want to slap is Marshall, whose brash directing style simply doesn't suit Nine's more whimsical charms.
July 30, 2012
Paste Magazine
A painfully formulaic message, trite dialogue, and a strangely episodic narrative structure that renders the whole thing exhausting.
April 12, 2016
USA Today
Nine should have been called 4Â 1/2 because it doesn't come close to the work of the master who inspired it.
December 28, 2009
Examiner.com
What we get is a film that is close in story to Fellini's film, but which needed more time for its actresses and better music to make it all worthwhile.
September 24, 2012
Arizona Republic
There's a lot of high-powered star wattage in Nine, but it never generates much heat.
December 26, 2009
Film Comment Magazine
Largely, the numbers just sit on top of the dramatic action, adding little to our understanding of the characters and seldom contributing to the advancement of the story.
September 24, 2014
Chicago Reader
It's a movie about a musical about a movie about a man's inner life -- surely we can eliminate some of the middle men.
December 28, 2009
I.E. Weekly
Where Fellini dared us to race alongside his imagination, Marshall is thuddingly cautious.
December 26, 2009
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