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Separate is the decision which has changed everything. Each of them took a different way. Liam has a special idea about the world around him that he has distinguished from Natalie. He is an ambitious musician, heads a 3 piece musical band, but he didn't like smart phones or downloads. He refused the structure of modern technology because it does not correspond to. In another meaning, he rejects the modern life, especially modern technology.
[Josh] Whitehouse and [Freya] Mavor have great chemistry and give their thinly written characters charm and energy, which keeps us on their side through very predictable ups and downs.
Mavor and Whitehouse, both of whom appear poised to break out after a series of smaller roles in TV and indie features, demonstrate a believable chemistry, but more importantly perhaps, a convincing hostility after their breakup.
For those who delight in candy-coated nostalgia, writer Philip Gawthorne's familiar, cliché-heavy script offers a twee jaunt down memory lane. For everyone else, even a killer Britpop soundtrack...can't save the film from overtrodden territory.
Exploring a relationship by flicking between beginning and end, this British drama is skilfully shot, edited and played. But the story structure is a problem.