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To pay for his girlfriend's medical emergency while abroad, a man hatches a scheme to pull off a drug heist for an eccentric gangster. But when the plan goes horribly wrong, he must set out on an adrenaline-fueled car chase on the German highways to save the love of his life before it's too late.
In the end, Collide is a cheap genre product produced with an eye on foreign market box office. Wake me when Dominic Toretto torques his way into Havana.
The paraphernalia that emanates from the scenes of action and persecution are a tactic that does not solve the arguments of Collide. [Full review in Spanish]
Unexceptional, a hodgepodge of corny voice-over and repetitive, anticlimactic plotting, with Hoult and Jones miscast as a couple of party-hardy American expats.
Hand-in-hand with its bleeding-heart nature, Collide has the ballsy idea of making a serious action movie about a fool in love, but that just becomes one of its many bungled stunts.
I don't subscribe to the notion that a piece of art shows its entire hand within its first ten minutes, but director Eran Creevy's third feature doesn't inspire a whole lot of confidence with its bland introduction.
A flatly earnest Hoult and Jones are hamstrung by drippy dialogue, while Kingsley and Hopkins overplay their more colorful parts - with the former doing a cartoonish Turkish accent and the latter delivering lines with strange emphasis.
While a dyed-blonde Jones does gamely with another thinly-sketched role, the real fun of [the film] is watching Kingsley and Hopkins deliver two of the more off-kilter performances of their careers.
Hoult and Jones are unable to breathe much life into their bland characters, and it's ultimately sad to watch the former Hannibal Lecter and Gandhi reduced to playing silly, tough-guy caricatures.