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Watch Bastille Day

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The film follows a young con artist and former CIA agent as they embark on an anti-terrorist mission in France. As a 24hr thrill ride ensues, the unlikely duo discover they are both targets and must rely upon each other in order to take down a common enemy.
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Entertainment Weekly
Most of The Take's moving parts feel like spinning cogs, devoid of fit or function.
November 17, 2016
Movie Chambers
"The Take" is just your run-of-the-mill Euro-thriller that putt-putts along like a weary TV cop show.
February 05, 2017
RogerEbert.com
Elba's magnetic physical presence delivers so much without doing much of anything. But his fans deserve so much better than a couple of dumb quips and a little ultra-violence.
November 18, 2016
Total Film
The ever-watchable Idris Elba and a handful of muscular action sequences are scuppered by a flaky-pastry plot which badly misjudges subject matter warranting more considered exploration.
January 02, 2017
San Francisco Chronicle
Director James Watkins keeps things reasonably interesting, but his characters are not well drawn, which hinders the buddy dynamic between Mason and Briar.
November 16, 2016
Los Angeles Times
A strictly by-the-numbers political thriller that fails to capitalize on Idris Elba's formidable screen presence.
November 17, 2016
Sunday Times (UK)
It doesn't have any pretensions at all, unless you count the mostly English cast, who resiliently pretend the film is an American action movie, with an American budget, for a whole 92 minutes.
December 18, 2016
Common Sense Media
This thriller begins with a strong, relevant idea -- using a fake terrorist attack to mask another crime -- but the poor storytelling soon demotes it to a forgettable throwaway.
January 19, 2017
L.A. Weekly
The Take is one busy, busy action flick. It also does something I never thought could be done: It makes the consistently charismatic Idris Elba look unappealing.
December 15, 2016
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