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Virtually every emotion, motivation, idea, character and plot point in the movie is flat and perfunctory -- except for those that carry the invisible subtitle, 'Cry, dammit!'
You long for [Williams] to break the metal mold, if only for a minute, to remind you that you are watching the best improvisational comedian of this millennium.
...aspires to an almost adult level of seriousness.
January 02, 2005
Minneapolis Star Tribune
Columbus lays on the sentimentality thickly, sometimes letting it get in the way of the storytelling. The longer the movie continues, the more overt he becomes in his emotional pandering.