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The movie follows a honest, hard-working farmer as he agrees to assist in escorting an outlaw alive to the '3:10 to Yuma', a train that will take the killer to trial in exchange for money to pay off his debt and start a new life. But things are not just that easy.
Mangold delivers a taut modern take on a lesser classic, preserving the High Noon themes about doing the right thing against all odds, and injecting a more modern pacing and urgency without going overboard.
September 20, 2007
Matt's Movie Reviews
3:10 to Yuma confirms that the western is alive and kicking with a vengeance.
Elevated above the usual fare by an engaging and complex relationship between its two stars, 3:10 To Yuma would be a thoroughly entertaining two hours whatever the genre - the Western setting is almost a bonus.
Mangold's film is more than sufficiently subtexty and cynical for our modern sensibilities while simultaneously embracing Mangold's obvious pleasure in the Westerns' time-honored swinging saloon doors and stern masculine traditions.
The editing is tense and there's mucho splatter but the climax is unforgivable for reasons I can't spell out -- and owes something to a recent picture I can't name.
September 10, 2007
ComingSoon.net
3:10 to Yuma is as heavy on character as it sounds like it should be ... and still a rip-roaring adventure around it; until it all gets away from director James Mangold in a crashing heap of unlikely motivation and flawed decisions.
The two leads' sparking byplay, Crowe's addled cockiness versus Bale's nervy grit, would grace any surroundings, but it's a pleasure to revisit the frontier in a drama which feels far more vital than mere nostalgic homage.
James Mangold's expert and entertaining 3:10 to Yuma demonstrates both the Western's age-old appeal, and the problems it presents to a contemporary filmmaker.
It is part of the richness of 3.10 to Yuma that this is a classical piece of storytelling with themes and characters that can be found in the very earliest Westerns.
Nothing terribly original happens in this remake of a 1957 semi-classic that starred Glenn Ford and Van Heflin, but everything happens smoothly and with grace.