[2014, on Designing Women (1986)] It was right around when I did that show that I got my first indication of what life was in Hollywood. I was doing a play out here, a musical called Nite Club Confidential, and it was this great show. So I'd go on auditions, and they'd say, "Oh, Scott, it's so nice to meet you!" and I'd say, "Oh, thanks!" And they'd go, "So, Nite Club Confidential!" And I'd be, like, "Oh, did you see it?" "Oh, no, no, we didn't see it. But we heard it was great!" And I realized, "Okay, I'm not in New York anymore, and this is a different world." Either they'd heard that it was great or they'd read that it was great, and that's why they were seeing me. Sylvie Drake wrote a great review, and all of a sudden I'm in all of these meetings, and I got the job on Designing Women. I just remember thinking, "Okay, so your work doesn't actually have to be seen." In New York, everybody goes to the theater, they see you, and they say, "Oh, I saw you, and you were unbelievable." Here, they just have to have heard you were good.
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