In her brief but noted screen career in the late 1950s, vivacious blonde Sally Fraser ran screaming from spiders, aliens, monsters and giants and straight into minor cult filmdom. While not handed many roles that would show off her true acting mettle, Sally, whose slight resemblance to Marjorie Lord was noticeable, nevertheless photographed beautif...
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In her brief but noted screen career in the late 1950s, vivacious blonde Sally Fraser ran screaming from spiders, aliens, monsters and giants and straight into minor cult filmdom. While not handed many roles that would show off her true acting mettle, Sally, whose slight resemblance to Marjorie Lord was noticeable, nevertheless photographed beautifully and was captivating enough to leave her mark in 1950s films.Born in Williston, North Dakota, on December 12, 1932, she moved to Southern California with her family (the youngest of five children) after spending a few years in Minneapolis. Her father subsequently bought and operated a feed store in the Canoga Park area of Los Angeles and worked there after school. As a young girl she expressed an interest in singing and joined her church choir while taking voice lessons. Spotted after singing on a local TV show, the pert beauty was encouraged to take drama courses and started to gain experience in local and summer stock plays, including "Bus Stop" with Marie Wilson, "Separate Tables" with Don Porter and Signe Hasso and "The Moon Is Blue".Finding a theatrical agent Sally's move into television came as a result of her singing skills (in a way). It was a TV version of "A Christmas Carol" starring Fredric March as Scrooge and Basil Rathbone as Marley's Ghost. She played both Belle and The Ghost of Christmas Past but her singing voice would be dubbed by operatic diva Marilyn Horne. She went on to appear in a number of western shows such as The Gene Autry Show (1950), Annie Oakley (1954) and Adventures of Wild Bill Hickok (1951). A vivacious presence in lighter fare, Sally made guest appearances on "December Bride," "Bachelor Father," "Mr. Lucky" and took her last job in the late 1960s in "Lassie".As for films, following a bit role in her debut film Désir de femme (1953), she nabbed the female lead opposite Edmund Gwenn and a canine in the sentimental fantasy It's a Dog's Life (1955). Sally quickly found herself pocketed in low-budget 50s sci-fiers. She played the wife of Peter Graves who becomes possessed by aliens in the Roger Corman quickie It Conquered the World (1956); the brave sister of the colossal man in Le retour de l'homme colosse (1958); and a mother protecting her baby in L'Araignée (1958). Others included Giant from the Unknown (1958), the racing car programmer Roadracers (1959), and Dangerous Charter (1962). Rare quality films also came her way such as Hitchcock's La mort aux trousses (1959) and the Burt Lancaster starrer Elmer Gantry, le charlatan (1960), but her roles would be minuscule.Fraser continued to work on stage ("Jenny Kissed Me" with Rudy Vallee and "the musical "Of Thee I Sing" with George Wallace) and TV and well into the 60s until she decided to retire to raise her family.Her husband, Allan Johnson, ran a manufacturing business for some time. They eventually moved to Harrison, Idaho in the 80s and lived on a cattle ranch. She died there on January 13, 2019, at age 86.
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