Birthday: 22 November 1966, Flatbush, Brooklyn, New York City, New York, USA
Birth Name: Michael Kenneth Williams
Height: 178 cm
Born in Brooklyn, to an African American father from South Carolina and a Bahamian mother from Nassau, Michael K. Williams was raised in the Vandaveer housing projects in East Flatbush, Brooklyn, New York City and attended George Westinghouse Career and Technical Education High School. According to a DNA analysis, he is descended partly from the Me...
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Born in Brooklyn, to an African American father from South Carolina and a Bahamian mother from Nassau, Michael K. Williams was raised in the Vandaveer housing projects in East Flatbush, Brooklyn, New York City and attended George Westinghouse Career and Technical Education High School. According to a DNA analysis, he is descended partly from the Mende people of Sierra Leone.After getting in some trouble as a youth, he enrolled at the National Black Theatre in New York City. He later got a job at a pharmaceutical company. Inspired by Janet Jackson's Rhythm Nation 1814, he left school and quit his job, against the wishes of his family, to pursue a career as a dancer. During a year in which he was intermittently homeless, Williams visited record labels and dance studios looking for work. He got a job as a background dancer on a music tour for Akym Sims' dance anthem Too Blind To See It, which led to more work appearing as a dancer in videos and on tours, such as with George Michael, Madonna, as well as some modelling work. He also choreographed Crystal Waters' 1994 single "100% Pure Love".He is an established actor and producer, perhaps best-known for his role on the highly-acclaimed HBO Television series The Wire (2002) where he played Omar Little. Other notable works he performed in have included The Road (2009) Boardwalk Empire (2010), 12 Years a Slave (2013) and RoboCop (2014). Show less «
The first season was great. I was at an all-time high, getting more money than I ever seen. But I wa...Show more »
The first season was great. I was at an all-time high, getting more money than I ever seen. But I was careless. I blew all my money. See, I am from Brooklyn and when we get money we love to spread it around. I even bought me a crib on Baltimore Hill. I was out in the streets getting into a lot of trouble. I ended up getting evicted from my crib and having to stay with my baby mother until the next season. You only got paid for the episodes you were in and there wasn't any Omar in season two, so I was basically broke until season three. But I loved playing Omar. Show less «
[on how he got his facial scar] It happened on my 25th birthday. I was acting immaturely because I w...Show more »
[on how he got his facial scar] It happened on my 25th birthday. I was acting immaturely because I was on that "liquid courage" [alcohol], and some words were exchanged between me and a group of gentlemen. I was drunk so I fought and ended up getting jumped. They cut me with a razor from the top of my head to my neck. I nearly lost my life that night. That was my first wake-up call. Show less «
Everybody is entitled to their own opinion and I respect them but I do my work and I go home. If the...Show more »
Everybody is entitled to their own opinion and I respect them but I do my work and I go home. If they only see Omar as a one-dimensional character then they don't understand The Wire (2002) as a whole. What I will say about Omar is he helped the Black community by breaking this stereotype we have about homosexuals. I'm actually proud about that. Show less «
[on how similar he is to his character Omar Little in The Wire (2002)] - I was never a thug. I never...Show more »
[on how similar he is to his character Omar Little in The Wire (2002)] - I was never a thug. I never even liked to fight. Show less «
I love my characters. I play them with 100% honesty; there's no holding back. I understand where the...Show more »
I love my characters. I play them with 100% honesty; there's no holding back. I understand where they are coming from. Show less «
[on 'The NIght Of] In my perspective, the show has very little to do with the subject of race, and e...Show more »
[on 'The NIght Of] In my perspective, the show has very little to do with the subject of race, and everything to do with class. I've come to realize that the race thing is a smoke screen. The real war is a war on class. It's about how much green you have in your pocket. In this country, you can unfortunately literally get away with murder if you have enough political background behind you. You are innocent until you are proven poor. Show less «