L.M. Kit Carson was a talented and versatile Texan writer, actor and producer whose career has taken a diverse and always interesting course. He was born in Dallas, to Louise (Roche) and Minor Lee Carson. His first appearance was the lead in the acclaimed David Holzman's Diary (1967). He moved into writing, with initially mixed results in The ...
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L.M. Kit Carson was a talented and versatile Texan writer, actor and producer whose career has taken a diverse and always interesting course. He was born in Dallas, to Louise (Roche) and Minor Lee Carson. His first appearance was the lead in the acclaimed David Holzman's Diary (1967). He moved into writing, with initially mixed results in The Last Word (1979) and Breathless (1983) before his beautiful adaptation of Sam Shepard's Paris, Texas (1982) tangibly showed his talent. Next up was the oddity The Chinese Box (1986) before associate producing and writing The Texas Chainsaw Massacre 2 (1986). It was back to acting in 1988 for an effective appearance in the acclaimed Running on Empty. A family friend of the Wilson brothers, their black-and-white 13 minute Bottle Rocket made its way into his hands in 1994. His championing of it was instrumental in Wes Anderson being given funding to shoot a full-length version in 1996, which he co-produced. Carson's output in was nothing if not varied - including several collaborations with his son, Hunter Carson, from his marriage to actress Karen Black; Hurricane Streets (1997) was a worthwhile drama of inner-city kids, Midsummer (1997) an interesting take on Shakespeare. He reprised his role of David Holzman for Grifin Dunne's industry mockumentary Lisa Picard is Famous (2000) then produced and wrote the disasterous Bullfigher (2000). Since then, Perfume (2001) was a behind-the-scenes look at the fashion industry, CQ (2001) a homage to European cinema of the 60s and staying in Paris the interesting low-budget thriller Tempo (2003). Show less «