Birthday: 9 January 1925, Somerville, New Jersey, USA
Birth Name: Clarence Leroy Van Cleef Jr.
Height: 188 cm
One of the great movie villains, Clarence Leroy Van Cleef, Jr. was born in Somerville, New Jersey, to Marion Lavinia (Van Fleet) and Clarence LeRoy Van Cleef, Sr. His parents were both of Dutch ancestry. Van Cleef started out as an accountant. He served in the U.S. Navy aboard minesweepers and subchasers during World War II. After the war he worked...
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One of the great movie villains, Clarence Leroy Van Cleef, Jr. was born in Somerville, New Jersey, to Marion Lavinia (Van Fleet) and Clarence LeRoy Van Cleef, Sr. His parents were both of Dutch ancestry. Van Cleef started out as an accountant. He served in the U.S. Navy aboard minesweepers and subchasers during World War II. After the war he worked as an office administrator, becoming involved in amateur theatrics in his spare time. An audition for a professional role led to a touring company job in "Mr. Roberts". His performance was seen by Stanley Kramer, who cast him as henchman Jack Colby in High Noon (1952), a role that brought him great recognition despite the fact that he had no dialogue. For the next decade he played a string of memorably villainous characters, primarily in westerns but also in crime dramas such as The Big Combo (1955). His hawk nose and steely, slit eyes seemed destined to keep him always in the realm of heavies, but in the mid-Sergio Leone cast him as the tough but decent Col. Mortimer opposite Clint Eastwood in Per qualche dollaro in più (1965). A new career as a western hero (or at least anti-hero) opened up, and Van Cleef became an international star, though in films of decreasing quality. In the 1980s he moved easily into action and martial-arts movies, and starred in The Master (1984), a TV series featuring almost non-stop martial arts action. He died of a heart attack in December 1989, and was buried at Forest Lawn in the Hollywood Hills. Show less «
I believe in showing real violence, not toy violence. Real violence turns you off because you know i...Show more »
I believe in showing real violence, not toy violence. Real violence turns you off because you know it's not the thing to do. If you show violence realistic enough people don't want to do it. Show less «
[6/12/81 interview in The Cleveland Plain Dealer, on his pierced left ear] I started wearing it when...Show more »
[6/12/81 interview in The Cleveland Plain Dealer, on his pierced left ear] I started wearing it when I was a kid in the Navy. I sailed all over the world, and somewhere along I started wearing an earring as a symbol of respect for all of the different cultures and people. I've worn it, off and on, ever since. Lately, when directors and producers see the bloody thing, they ask me to wear it on camera. Show less «
Being born with a pair of beady eyes was the best thing that ever happened to me.
Being born with a pair of beady eyes was the best thing that ever happened to me.
Bad guys have always been my bag . . . I look mean without even trying. Audiences just naturally hat...Show more »
Bad guys have always been my bag . . . I look mean without even trying. Audiences just naturally hate me on screen. I could play a role in a tuxedo and people would think I was rotten. You can do much more with a villain part. Movies are full of leading men, most of whom aren't working. It's much harder to find a good villain. Show less «