Lee Frost rates highly as one of the best, most talented and versatile filmmakers in the annals of exploitation cinema. Frost was born on August 14, 1935, in Globe, Arizona. He grew up in Glendale, California, and Oahu, Hawaii. He eventually wound up in Hollywood, where he started his career making TV commercials for the studio Telepics. Frost made his film debut with the early 1960s nudie cutie Call Girl Nr. 777 (1962). He went on to make a slew of films in many different genres: tongue-in-cheek horror comedy (Le vampire érotique (1962)), mondo shock documentaries (Hollywood's World of Flesh (1963), Mondo Bizarro (1966), Le sexe et l'amour (1966)), perverse softcore roughies (The Defilers (1965), The Animal (1968)), crime drama (The Pick-Up (1968)), westerns (L'éperon brûlant (1968), Cache ta femme, prends ton fusil, voici les scavengers (1969)) and even Nazisploitation (Le camp spécial N° 7 (1969), which has been widely cited as the prototype for the notorious Ilsa, La Louve des SS (1975)). A majority of Frost's 1960s features were made for legendary trash flick producer Bob Cresse. Moreover, Lee added sex inserts into such foreign films as London in the Raw (1964), La femme spectacle (1964) and Sorcellerie, magie... et Messes Noires (1970). Frost continued cranking out entertainingly sleazy drive-in items throughout the 1970s; they include the startling psycho sniper outing Excitation (1971), the passable biker opus Chrome and Hot Leather (1971), the gritty Chain Gang Women (1971), the hilariously campy La chose à deux têtes (1972), the immensely enjoyable Cette femme est un flic (1974), the gnarly blaxploitation winner The Black Gestapo (1975), the rowdy redneck romp Dixie Dynamite (1976) and the jolting roughie porno shocker A Climax of Blue Power (1974). Frost often cast former football player Phil Hoover in his 1970s movies and frequently collaborated with producer/screenwriter Wes Bishop (in addition to their own pictures, Frost and Bishop wrote the script for Jack Starrett's terrific Course contre l'enfer (1975), which Frost was originally supposed to direct as well). Both Frost and Bishop often appear as actors, usually in small parts, in Frost's films. Lee worked as an editor on industrial movies for a film laboratory throughout the 1980s and early 1990s. His last feature was the straight-to-video Shannon Whirry erotic thriller Private Obsession (1995).Lee Frost died at age 71 on May 25, 2007. Show less «