Frank Mosley has been called "a superb actor and filmmaker" (RogerEbert.com) and "the sort of experimentalist we don't see often enough...thoughtful, approachable, and unpretentiously curious about the nature of motion-picture artifice" (Keyframe). He is an alumnus of the 2015 Berlinale Talents and a graduate of Black Factory Cinema's 2016 Workshop for Auteurs with Abbas Kiarostami, held at the International School of Cinema and Television (EICTV) in San Antonio de los Banos, Cuba. His directing work is available exclusively on Fandor, including his 2013 video installation Two Story, his 2010 narrative feature debut Hold, and his 2014 sophomore feature Her Wilderness, the last of which has been called "a unique work with a distinctive voice" (Indiewire), "a vibrant fantasy that transcends the narrative form" (Smells Like Screen Spirit), and "at once alien and achingly resonant...burrows deep into your subconscious like a vivid fever dream" (Indie Outlook). He's acted in films such as Shane Carruth's 2013 Sundance winner Upstream Color, Daniel Patrick Carbone's segment in the omnibus Collective Unconscious, Calvin Reeder's companion films The Bulb and 2016 Sundance winner The Procedure, Jon Jost's final film They Had It Coming, Zachary Shedd's Americana, Eric Steele's Cork's Cattlebaron, and Justin D. Hilliard's The Other Side Of Paradise, where his breakout role was deemed "a potent dose of sexual chutzpah" (Variety) and "an appealing performance with intriguing elements of depth" (The Hollywood Reporter). His recent work as the lead in Cameron Bruce Nelson's 2014 IFP Narrative Labs feature Some Beasts has been called "one of his best performances to date" (Hammer To Nail), "a subtle, quiet miracle....a career making performance with physical choices that leap off the screen" (Truth On Cinema), and won him the Independent Visions Special Jury Prize for Outstanding Performance at the 2016 Sarasota Film Festival. Show less «